A busy week on the chart, with a genuine mix of massive established names holding their ground and a wave of new entries fighting their way in. Here’s the full rundown.

Holding Down the Top of the Chart

HIMEHINA’s “フランケンシュタインの怪物” sits at #1 this week, climbing four spots with 942K weekly views. Right behind it, Suisei’s “ビビデバ” holds steady at #2 despite dropping one spot, still pulling 585K weekly views on a video that’s already racked up 178.6M total. bbno$’s “1-800” (ft. ironmouse) rounds out the top three, holding its position with 550K views and a respectable 0.83% engagement rate for a track that’s already north of 39M total views.

Just outside the podium, Kanade Otonose’s “You＆合図” climbed two spots to #4, and its 2.87% engagement rate on 503K weekly views stands out against the rest of the top five — a sign the song is still actively pulling in engaged viewers rather than just coasting on algorithm momentum. Houshou Marine’s “BooooM!!!” slipped one spot to #5 but is still comfortably inside the top tier with a 2.42% engagement rate, a pattern that holds across nearly all of Marine’s numerous other charting original-anime MVs this week.

The Big New Arrival: Kuzuha’s “Oudou”

The most eye-catching debut by far is Kuzuha’s “Oudou (王道)”, which entered the chart at #6 with 395K weekly views and an 8.44% engagement rate — a genuinely strong first-week showing for a brand-new entry, and one of the highest engagement rates of any track inside the top 20. Given the song was written specifically for him by YOASOBI’s Ayase, that kind of immediate traction tracks with the attention the collaboration was already getting before the MV even dropped.

Small Debuts, Massive Engagement

Raw view counts don’t tell the whole story this week — a handful of smaller debuts posted some of the highest engagement rates on the entire chart. Vestia Zeta’s “LOVE MISSION♡” debuted at #60 with only 55K views but a remarkable 17.41% engagement rate, edging out Nepolabo’s “Hyper Jumpin'”, which landed at #55 on 60K views with a near-identical 17.28% engagement rate. Those numbers are well above what almost anything else on the chart is pulling, small audience or not — a sign both songs are hitting an already-invested fanbase hard rather than casting a wide, passive net.

Sara Hoshikawa’s “Chuinkle Princess” also posted a strong debut at #98, with a 9.95% engagement rate on 36K views — modest in scale but still well above the average for the bottom quarter of the chart. Yuki Sakuna’s “Re,bloom*” debuted even higher relatively speaking, landing at #16 with an 8.68% engagement rate on 160K views, one of the stronger new-entry showings in the middle of the chart.

The Explosive Riser: Roboco’s “Gensei Alice”

Nothing else on the chart comes close to matching the movement behind Roboco’s “Gensei Alice (現世アリス)”, which jumped an almost unbelievable +6,220 spots to land at #59 this week, backed by an 8.42% engagement rate on 56K views. That kind of jump usually means a song that was barely charting (or not charting at all) suddenly caught fire — whether from a viral clip, a live performance moment, or a wave of new attention finding it well after its original release window.

Not far behind in relative terms, Shiratama Fubuki’s “KINGWORLD” climbed +368 spots to #57 with a strong 5.06% engagement rate on 58K views, suggesting her original catalog is finding a fresh audience this week too.

Other New Entries Worth Watching

Beyond the highlights above, several other fresh arrivals landed this week: X VORDER RUNWAY’s “交錯 OMNIVERSE” debuted at #14 with 204K views and a healthy 2.70% engagement rate; Suu Usuwa’s “ゆーえふおー” entered at #36 with 83K views; and Yono’s “執着駅” landed at #65 with 52K views and a 3.97% engagement rate. None of these matched the engagement extremes of the smaller debuts above, but all three represent genuinely new songs finding their footing in their first tracked week.

Suisei’s Continued Dominance

Worth calling out on its own: Suisei has seven different tracks charting simultaneously this week — “ビビデバ” at #2, “Stellar Stellar” at #22, “ソワレ” at #27, “Caramel Pain” at #32 and again at #50, “プリマドンナ” at #51 and #80, “GHOST” at #52, “もうどうなってもいいや” at #58, “月に向かって撃て” at #64, “Wicked” at #73, and “星をみる少女” at #92. That kind of catalog depth — new and older songs alike still pulling meaningful weekly numbers — is a reminder of just how much staying power her discography has built up over time, well beyond whatever her most recent single happens to be.

Steady Presence: Marine’s Original-Anime Catalog

Houshou Marine also continues to hold an unusually large footprint on the chart, with eight different original-anime MVs charting this week alongside “BooooM!!!” — including “III” (with Kobo Kanaeru) at #11, “美少女無罪♡パイレーツ” at #18, “幽霊船戦” at #23, “スキスキDieスキ超Ayeシテル” at #25, “A Horny Money World ~伝説の夜~” at #26, “Chatter Chatter” (with Suisei) at #53 and #71, “I’m Your Treasure Box” at #42, and “パイパイ仮面でどうかしらん？” at #62. It’s a strong showing for a catalog built almost entirely around a consistent narrative-MV format.

🎵 VTuber Song Charts — Weekly Top 100 (Week of 2026-08-10)

Data from VTuber Song Charts · Updated weekly