The virtual music landscape continues to move at a breakneck pace, and this week’s YouTube viewer statistics highlight a fascinating tug-of-war between viral indie anthems, massive corporate agencies, and explosive new debuts.

Here is a breakdown of the key trends, massive debuts, and high-engagement standouts dominating the VTuber music charts this week.

The Top Five: Domination and Explosive Debuts

At the absolute peak of the chart, Joe Rikiichi (Nijisanji) holds the #1 spot firmly with “OBF”, pulling in a massive 806K weekly views. The track has quickly amassed 1.8M total views, establishing itself as a dominant force for the agency this week.

Right behind him is the unstoppable Hoshimachi Suisei (hololive) with her viral juggernaut “Bibideba”. Even though it sits at #2 this week with 496K weekly views, its staggering 173.8M total views prove that the song has long-term staying power well outside the traditional VTuber fandom.

VTuber legend Ironmouse claims both the #3 and #4 spots, showing incredible global reach. Her solo track “Cry For Me” brought in 372K views, closely followed by her high-profile collaboration with mainstream artist bbno$ on “1-800” (369K views).

Rounding out the top five is the highest-ranking new entry of the week: Todoroki Hajime (hololive DEV_IS ReGLOSS) with her original track “Deep Dive”. Landing straight at #5 with 325K views, the track also boasts an impressive 13.61% engagement rate, signaling an incredibly passionate response from her fanbase right out of the gate.

Mid-Chart Highlights and Legendary Longevity

Further down, independent powerhouse Shigure Ui continues to flood the charts. Her viral masterpiece “Shukusei!! Loli Kami Requiem”* climbed one spot to #6 with 283K weekly views, pushing its jaw-dropping lifetime total to 143.1M views. Ui manages to hold multiple slots across the top 50, proving that her unique brand of catchy, meme-adjacent music has permanent real estate on YouTube.

We also saw a massive surge from Tsunomaki Watame (hololive), whose new original track “Haiiro no Shoumei” debuted at #13 with 131K views. Mirroring Hajime’s debut success, Watame’s release clocked the highest engagement rate in the top 20 at a spectacular 16.27%, showing deep listener loyalty.

Meanwhile, Inuyama Tamaki experienced an astronomical leap. “Wan FOR ω ALL!!” skyrocketed an incredible 6,280 positions to land at #15, capturing 117K views for the week.

Key Takeaways: Agency Powerhouses vs. High Engagement

When analyzing the chart holistically, two major themes emerge:

• The Suisei and Marine Effect: Hololive’s Hoshimachi Suisei and Houshou Marine act as the chart’s foundation. Suisei charts a mind-boggling number of tracks (including classics like “Stellar Stellar” and “GHOST” alongside newer B-sides), while Marine keeps multiple animated MV blockbusters like “III” and “Bi-Shoujo Mujo♡Pirates” safely in rotation.
• The Engagement Reality: While older, viral tracks pull steady numbers, fresh original MV drops—like Todoroki Hajime’s “Deep Dive” and Tsunomaki Watame’s “Haiiro no Shoumei”—are driving the highest immediate interaction, proving that fans are highly motivated to support new musical eras.

As the summer music season heats up, it remains to be seen if anyone can dethrone Joe Rikiichi’s commanding lead or if Suisei’s catalog will continue to quietly run the board.

🎵 VTuber Song Charts — Weekly Top 100 (Week of 2026-06-08)

Data from VTuber Song Charts · Updated weekly