The Virtual Landscape Shift: Suisei, VTuber Agency Rivalries, and Indie Giants Dominate the Charts

The latest weekly virtual music charts reveal a fascinating reality: the VTuber music scene is no longer a niche subculture but a powerhouse industry driving hundreds of millions of views. With diverse sounds ranging from high-energy electronic dance tracks to collaborative anime anthems, the current rankings showcase a fierce battle for the top spot among agency talents and independent heavyweights.

The Battle at the Top: Hoshimachi Suisei vs. VTuber Powerhouses

At the absolute peak of the chart sits hololive’s resident diva, Hoshimachi Suisei, whose viral hit “Bibideba” reclaimed the #1 spot with an impressive 580K weekly views, pushing its astronomical lifetime total to 174.9 million. Suisei’s chart dominance doesn’t stop there; her extensive discography continues to display immense staying power, with tracks like “Caramel Pain,” “Soiree,” and “Stellar Stellar” locking down multiple positions across the Top 100.

Right on her heels is Nijisanji’s Joe Rikiichi with “OBF”, holding steady at #2 with 517K views and a healthy 1.73% engagement rate. Not far behind, Hololive DEV_IS ReGLOSS member Hajime Todoroki captures the #3 spot with “Deep Dive”, racking up 483K weekly views and demonstrating the massive momentum behind hololive’s newer musical generations.

The Unstoppable Independent Forces

While major corporate agencies like hololive and Nijisanji occupy a vast majority of the chart real estate, independent creators are proving they can easily go toe-to-toe with corporate backing.

• Shigure Ui: The beloved illustrator and VTuber remains a statistical anomaly. Her generational anthem “Shukusei!! Loli Kami Requiem☆” rests comfortably at #6 with 309K weekly views, bringing its total lifetime count to a staggering 143.7 million. Her newer experimental track, “Wimama Saga,” also sits comfortably in the Top 20.
• Ironmouse: VShojo’s premier talent and independent powerhouse Ironmouse had an incredible week. Her high-profile collaboration with bbno$ on “1-800” secured the #4 slot with 407K views, closely followed by her solo release “Cry For Me” at #5 (358K views), underscoring her massive global appeal across Western and Eastern demographic lines.

Viral Spikes and Hidden Engagement Gems

Beyond raw view counts, the weekly data highlights a couple of explosive surges. The most notable leap belongs to Kazama Iroha, whose track “Kazamuki Entropy” skyrocketed by 6,190 positions to land at #29, driven by an exceptional 9.23% engagement rate—the highest in the entire Top 50.

Similarly, FLOW GLOW’s Su Mizumiya enjoyed a colossal 6,140-position jump to land at #77 with her track “Umyauya Happy Life,” asserting that fresh musical projects are rapidly finding eager audiences.

Key Takeaway: The virtual music economy is thriving. As legacy anthems cross the 100-million-view threshold and new unit debuts shake up the lower ranks, VTuber music is cementing its place as a cornerstone of modern digital pop culture.

🎵 VTuber Song Charts — Weekly Top 100 (Week of 2026-06-22)

Data from VTuber Song Charts · Updated weekly